OKEY DOKEY with Neue Alte Brücke and Galerie 1900-2000 - Preview Friday September 8, 2017

We are delighted to announce a collaborative exhibition with Neue Alte Brücke (Frankfurt) and Galerie 1900-2000 (Paris) especially curated for OKEY DOKEY.
 
Okey Dokey is a joint exhibition project of galleries and exhibition spaces in Cologne and Düsseldorf with international colleagues. For this project collectively curated group shows will be developed
in close cooperation with the guests and take place at the 9 different spaces of the hosts.

Opening reception: Friday September 8, 2017
Duration: 9 - 30 September 2017

Delmes & Zander (Cologne)
hosts Neue Alte Brücke (Berlin) and Galerie 1900-2000 (Paris)

Lucas Hirsch (Düsseldorf)
hosts Stereo (Warsaw) and Lomex (New York)

Max Mayer (Düsseldorf)
hosts Arcadia Missa (London), Miguel Abreu Gallery (New York), and Misako & Rosen (Tokyo)

Drei (Cologne)
hosts Kirchgasse (Steckborn, Switzerland), Lulu (Mexico City), and Park View (Los Angeles)

Jan Kaps (Cologne)
hosts Weiss Falk (Basel), Edouard Montassut (Paris), and Sax Publishers (Vienna)

Studio for Propositional Cinema (Düsseldorf)
hosts Barbara Rüdiger with Anna Sophie-Berger

Ginerva Gambino (Cologne)
hosts Ermes Ermes (Vienna and Rome), Sandy Brown (Berlin), and Truth and Consequences (Geneva)

Linden (Düsseldorf), host galleries TBD
Rob Tufnell (Cologne) hosts Tanya Leighton (Berlin)

http://okey-dokey.show/

Edward M. Goméz on Hyperallergic about EUGENE VON BRUENCHENHEIN

EUGENE VON BRUENCHENHEIN, untitled, 1940s, silver gelatin print, Courtesy Delmes & Zander

An Artist Couple’s Domestic Gesamtkunstwerk
 Edward M. Goméz on Hyperallergic (July 8, 2017)

The outsider artist Eugene Von Bruenchenhein and his wife, Marie, created a miniature universe in their bungalow in a Milwaukee suburb.

SHEBOYGAN, Wisconsin — Mythologies: Eugene Von Bruenchenhein, a new exhibition at the John Michael Kohler Arts Center in Sheboygan, Wisconsin (on view through January 14, 2018), showcases one of the most intriguing bodies of work by an artist of the modern era to be found anywhere today.

The way an artist conjures up a universe of his own, and how his aesthetic vision informs such creativity, are as much the subjects of this compelling survey as any of the peculiar paintings, photographs, and objects on display.
Mythologies is one in a series of exhibitions collectively titled The Road Less Traveled that the museum is mounting this year to commemorate its 50th anniversary. The JMKAC is one of the best-known museums in the world specializing in the study and presentation of works, many of which are site-specific environments, made by self-taught artists. Mythologies traces the development of a clever autodidact whose creative audacity appeared to have been his saving grace: despite the humbleness and hardships of Von Bruenchenhein’s life circumstances, he dared to think big — about himself and his art.

Perhaps it’s that whiff of grandiloquence in Von Bruenchenhein’s sense of himself as a thinker and creative agent, which comes across in his writings and to varying degrees in his art, that have endeared his multifaceted oeuvre to aficionados of outsider art. At the same time, now that the unbridled energy and weirdness of much of what he crafted appear to have been postmodernist avant la lettre, Von Bruenchenhein’s work has earned critical, crossover praise and won many admirers in the mainstream, contemporary-art establishment. The eccentric from Wisconsin who made sculptures with chicken bones and nudie-fantasy photos of his wife is now a bonafide art-world star.

Edward Eugene Von Bruenchenhein (1910–1983) was born in northeastern Wisconsin, on Lake Michigan’s western shore. (Later his family moved south to the Milwaukee suburbs.) The second of three sons, Eugene was seven when his mother died. His father remarried, and his stepmother, whose interests were artistic, literary and intellectual, provided inspiration for the boy’s creative pursuits.
After graduating from high school, Eugene found employment in a florist’s shop and later worked for many years in a commercial bakery. In 1943, he married the former Eveline Kalka (whom he renamed “Marie”), but even though his father gave his son and his new bride the Von Bruenchenhein family’s small house, the couple remained chronically poor. It was in their nondescript bungalow in a Milwaukee suburb that Eugene spent decades developing a rich, imaginary realm of larger-than-life self-expression over which he and Marie presided. (...)

You can read the complete article on hyperallergic.com
www.hyperallergic.com

On the Spot / Groupshow at Delmes & Zander

JESUYS CRYSTIANO, untitled, 2012, pencil on paper, 42 x 59 cm, Courtesy Delmes & Zander

On the Spot
7 July - 26 August 2017

with works by
Jesuys Crystiano
Martin Erhard
Hipkiss
Miroslav Tichy
Wesely Willis

www.delmes-zander.de

Delmes & Zander schließt die Berliner Räume

JESUYS CRYSTIANO, untitled, pencil on paper, 11/2011, Courtesy Delmes & Zander

Monopol.de über die Schließung unserer Berliner Räume (erschienen am 30.5.17):

Delmes & Zander schließt Berliner Standort

"Weil die Organisation zweier Ausstellungsorte zu wenig Raum für die inhaltliche Vermittlung der Künstler und die Weiterentwicklung des Programms zulasse, möchte sich die Galerie Delmes &  Zander in Zukunft auf ihren Kölner Standort beschränken.

Die Inhaberinnen Nicole Delmes und Susanne Zander begründen ihre Entscheidung mit dem Anspruch, auch in Zukunft umfangreiche Künstlernachlässe, wie die von Horst Ademeit, Adelhyd van Bender oder "Margret - Chronik einer Affäre" adäquat betreuen zu wollen. Die Galerie werde darüber hinaus weiterhin eigenständige künstlerische Positionen entdecken, aufbauen und kontextualisieren. Nach Beendigung der aktuellen Ausstellung "Jesuys Crystiano" werden die Räume in Berlin am 10. Juni schließen.

Die Galerie Susanne Zander wurde 1988 in Köln gegründet. Seit 2005 ist Nicole Delmes Mitinhaberin. Der inhaltliche Fokus der Galerie liegt auf der Entdeckung und Förderung eigenständiger künstlerischer Positionen jenseits von Trends. Auch die Aufarbeitung und Bewahrung von künstlerischen Nachlässen ist einer der Schwerpunkte. (...)

Text: Hannah Altermann
 www.monopol-magazin.de
 

Delmes & Zander at FIAC 2017

Delmes & Zander at FIAC 2016. Courtesy Delmes & Zander.

Delmes & Zander at FIAC 2017

We are very excited to announce that we will be participating in FIAC 2017!

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FIAC 2017

19-22 October 2017

Grand Palais

Avenue Winston Churchill 

75008 Paris

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Full Exhibitor List:

//Galerie 1900-2000, Paris

303 Gallery, New York

AMiguel Abreu, New York

Air de Paris, Paris

Allen, Paris

Applicat-Prazan, Paris

Art : Concept, Paris

Alfonso Artiaco, Napoli

BBalice Hertling, Paris

Baudach, Berlin

Thomas Bernard - Cortex Athletico, Paris

Bernhard, Zürich

Blum & Poe, Los Angeles, New York, Tokyo

Isabella Bortolozzi, Berlin

Gavin Brown's enterprise, New York, Roma

Galerie Buchholz, Berlin, Köln, New York

Shane Campbell, Chicago

Capitain Petzel, Berlin

Casas Riegner, Bogotá

Ceysson & Bénétière , Paris, Luxembourg, Saint-Étienne, Genève, New York

ChertLüdde, Berlin

C L E A R I N G, New York, Brussels

Sadie Coles HQ, London

Continua, San Gimignano, Beijing, Boissy-le-Châtel, Habana

Paula Cooper, New York

Raffaella Cortese, Milano

Vera Cortês Art Agency, Lisboa

Chantal Crousel, Paris

Ellen De Bruijne Projects, Amsterdam

Massimo De Carlo, Milano, London, Hong Kong

Delmes & Zander, Köln, Berlin

dépendance, Brussels

Dvir Gallery, Tel Aviv, Brussels

EFrank Elbaz, Paris

espaivisor, Valencia

Essex Street, New York

Experimenter, Kolkata

FImane Farès, Paris

Konrad Fischer, Düsseldorf, Berlin

Freedman Fitzpatrick, Los Angeles

Lars Friedrich, Berlin

Gagosian Gallery, Paris, New York, London, Beverly Hills, Hong Kong

Christophe Gaillard, Paris

Gaudel de Stampa, Paris

gb agency, Paris

Gladstone Gallery, New York, Brussels

Laurent Godin, Paris

Marian Goodman, Paris, New York, London

Bärbel Grässlin, Frankfurt

Green Art Gallery, Dubai

Karsten Greve, Paris, Köln, St. Moritz

Max Hetzler, Berlin, Paris

House of Gaga, México D.F., Los Angeles

Gypsum, Cairo

Xavier Hufkens, Brussels

Eric Hussenot, Paris

Hyundai, Séoul

IIn Situ - Fabienne Leclerc, Paris 

Instituto de Visión, Bogotá

JJousse Entreprise, Paris

joségarcía, mx, México D.F.

Annely Juda Fine Art, London

Karma, New York

Karma International, Zürich, Los Angeles

kaufmann repetto, Milano, New York

Anton Kern, New York

Peter Kilchmann, Zürich

Kisterem, Budapest

Kohn Gallery, Los Angeles

König Galerie, Berlin

David Kordansky, Los Angeles

Kraupa-Tuskany Zeidler, Berlin

Krinzinger, Wien

Kukje Gallery / Tina Kim Gallery, Seoul, New York

LLabor, México D.F.

LambdaLambdaLambda, Prishtina

Landau Fine Art, Montreal

Emanuel Layr, Wien

Le Minotaure, Paris

Simon Lee, London, Hong Kong

Lehmann Maupin, New York, Hong Kong

Lelong, Paris, New York

David Lewis, New York

Lisson, London, New York, Milano

Loevenbruck, Paris

Magazzino, Roma

Mai 36 Galerie, Zürich

Maisterravalbuena, Madrid, Lisboa

Edouard Malingue, Hong Kong, Shanghai

Marcelle Alix, Paris

Giò Marconi, Milano

Mazzoleni, Torino, London

Fergus McCaffrey, New York

Mendes Wood DM, São Paulo, Brussels

kamel mennour, Paris

Metro Pictures, New York

Meyer Riegger, Berlin, Karlsruhe

Mezzanin, Genève

Francesca Minini, Milano

Massimo Minini, Brescia

Victoria Miro, London

Mitchell-Innes & Nash, New York

mor charpentier, Paris

Jan Mot, Brussels, México D.F.

Nächst St. Stephan Rosemarie Schwarzwälder, Wien

Nagel Draxler, Berlin, Köln

Edward Tyler Nahem Fine Art, New York

Nahmad Contemporary, New York

Neu, Berlin

Neue Alte Brücke, Frankfurt

neugerriemschneider, Berlin

New Galerie, Paris

NoguerasBlanchard, Barcelona, Madrid

ONathalie Obadia, Paris, Brussels

Guillermo de Osma, Madrid

Overduin & Co., Los Angeles

P420, Bologna

Pace, New York, London, Beijing, Hong Kong, Palo Alto, Paris

Parra & Romero, Madrid, Ibiza

Françoise Paviot, Paris

Peres Projects, Berlin

Perrotin, Paris, New York, Hong Kong, Seoul, Tokyo

Francesca Pia, Zürich

PKM Gallery, Seoul

Plan B, Cluj, Berlin

Jérôme Poggi, Paris

Praz-Delavallade, Paris, Los Angeles

Eva Presenhuber, Zürich, New York

ProjecteSD, Barcelona

Queer Thoughts, New York

Almine Rech, Paris, Brussels, London, New York

Reena Spaulings Fine Art, New York

Regen Projects, Los Angeles

Michel Rein, Paris, Brussels

Rodeo, London

Thaddaeus Ropac, Paris, Salzburg, London

Richard Saltoun, London

Esther Schipper, Berlin

SCHLOSS, Oslo

Micky Schubert, Berlin

Semiose, Paris

Natalie Seroussi, Paris

Skarstedt, New York, London

Pietro Sparta, Chagny

Sprüth Magers, Berlin, London, Los Angeles

Stigter Van Doesburg, Amsterdam

Daniel Templon, Paris, Brussels

Tornabuoni Art, Paris, Firenze, Milano, London

Truth and Consequences, Genève

UUBU Gallery, New York 

Valentin, Paris

Georges-Philippe & Nathalie Vallois, Paris

Van de Weghe, New York

Vedovi, Brussels

Venus, New York, Los Angeles

Nadja Vilenne, Liège

Vitamin Creative Space, Guangzhou, Beijing

Waddington Custot, London

Waldburger Wouters, Brussels

Michael Werner, New York, London

White Cube, London, Hong Kong

Jocelyn Wolff, Paris

ZThomas Zander, Köln

Zeno X, Antwerp 

ZERO..., Milano

Galerie Zlotowski, Paris

David Zwirner, New York, London

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Find out more about FIAC here. 

www.fiac.com/

Installation Views /// ADELHYD VAN BENDER at Shane Campbell Gallery, Chicago

  

"Adelhyd Van Bender" at Shane Campbell Gallery, Lincoln Park, Chicago.
Courtesy of Shane Campbell Gallery, Chicago
Photo Credit: Evan Jenkins 

Installation Views /// ADELHYD VAN BENDER at Shane Campbell Gallery, Chicago

---------------------------------

Adelhyd Van Bender

June 1st - July 7th 2017

Viewings by appointment only

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Works by Adelhyd Van Bender are currently on display at Shane Campbell Gallery's Lincoln Park Space in Chicago.


Find out more about Shane Campbell Gallery here.
www.shanecampbellgallery.com/

The Museum of Everything at MONA - Tasmania, Australia

Andre Robillard, 'Fusil x USA Rapide 436 AD.RZ Arston', 1992. mixed media object, 33 x 97 cm. Courtesy Delmes & Zander.

George Widener, 'untitled', 2016. mixed media on paper, 31 x 38cm
Courtesy Delmes & Zander

Karl Hans Janke, 'Pfeilflächenmaschine', 1950. pencil and ballpoint on paper, 29.7 x 42cm.  Courtesy Delmes & Zander

The Museum of Everything at MONA - Tasmania, Australia

The Museum of Everything will be taking over MONA (Museum of Old and New Art) in Tasmania, Australia in an expansive new exhibition opening on June 10th and running through till April 2018.


"The Museum of Everything is a travelling institution, which opened in London in 2009. Its purpose is to advocate for the visibility of art that falls outside the confines of the art world proper; the work of ordinary people, working far (literally or otherwise) from the cultural metropolis.

That word, ‘ordinary’, is an interesting one. Because oftentimes, the art that we are talking about — let’s call it the art of everyone — happens to be made by people who can only truthfully be described as extraordinary.

These artists don’t have degrees, but they might have visions or compulsions; they are transcendent scientists, self-taught architects, and citizen inventors; sometimes, they are dedicated followers of personal belief systems, or producing art from inside a hospital or prison. Some create their own visual folklore to sit alongside (or challenge) established histories of culture and place. ‘Our museum stretches, I hope, the possibility of who has the right to be considered an artist,’ says founder James Brett. But of course, not everybody is an artist. The collection is comprised of the passionate fringe, the outliers who concentrate the human propensity to make and create. They are simultaneously different, because that kind of intensity and ability is not available to us all (and especially not in the absence of the usual art-world rewards, such as money and cultural cachet), and yet they are also somehow the same, more familiar to us than the big art-world names will ever be.

This extra/ordinary tension complicates the category ‘art’, in its deepest sense. Is art typical, universal, even biological — or is it exceptional? Can we place elite art, that which is clearly tied to the desire for social status, next to apparently private forms of creative expression, and call them by the same name?

To answer these questions, as well as the important social-justice ones that accompany them, you must first widen your concept of art. It stops being about insider/outsider, us and them, and becomes instead a big, wobbly, cumbersome carryall; and once ‘everything’ is included, nothing is, and so the whole problem of terminology and definitions just dissolves, until you’re left with nothing but an action. The will to make thrives everywhere, even in the most unlikely places. That’s what our friends at The Museum of Everything are trying to show. And we want to help them, in the form of this exhibition. The occupation is an invitation." (...)


Featured Artists Include:
Morton Bartlett
Henry Darger
Karl Hans Janke
Miroslav Tichy
Horst Ademeit
Adelhyd van Bender
Alexander Lobanov
Andre Robillard
George Widener
Dietrich Orth
August Walla
Emery Blagdon
Aloise Crobay
Guo Fengyi
Augustin Lesage
Walter Potter
Judith Scott
Carlo Zinelli
Aloys Zotl
William EdmondsonACM (Alfred Corinne Marié)
Alikhan Abdollahi
Hilma af Klint
Albert
Kwame Akoto
Consuelo ‘Chelo’ González Amezcua
Noviadi Angkasapura
Anonymous
Anonymous maker of ‘The Woodbridge Figures’
Yasmin Arshad
Steve Ashby
Mary Barnes
Peter ‘Charlie’ Attie Besharo
Forrest Bess
George Beckstead
Benjamin Binder
Ion Bîrlădeanu
Aaron Birnbaum
Calvin and Ruby Black
Pearl Blauvelt
Reverend William Alvin Blayney
Julius Bockelt
Erich Bödeker
Hawkins Bolden
Sabo (Salvatore Bonura)
Giovanni Bosco
Uwe Breckner
Freddie Brice
Herman Bridgers
Aníbal Brizuela
David Burton
Marian Spore Bush
Raimundo Camilo
Dionne Canzano
Tom Carapic (Tomislav Sava Čarapić)
James Castle
Gaston Chaissac
Nek Chand (Nek Chand Saini)
Brian Chin
Mamadou Cissé
Derrick Alexis Coard
Clark Coe
Raymond Coins
Clive Collender
Felipe Jesus Consalvos
Alan Constable
Joseph Crépin (Fleury-Joseph Crépin)
Francesco Cusumano
Richard Dadd
William Dawson
Charles A. A. Dellschau
Louis DeMarco
Fernand Desmoulin
James Dixon
Hiroyuki Doi
Jim Dornan
Sam Doyle
Svetlana Dressen
‘Uncle Pete’ Drgac (Peter Paul Drgac)
Tarik Echols
Walter Ellison
Minnie Evans
Denis Ezhikov
Chase Ferguson
Giovanni Fichera
Reverend Howard Finster
Auguste Forestier
Aletvyna Fyzhova
Verba Frazier
Giovanni Galli
Willem van Genk
Hans-Jörg Georgi
Pietro Ghizzardi
Madge Gill
Joaquim Vincens Gironella
Richard Greaves
Daniel Green
Glendenning Hamilton (Thomas Glendenning Hamilton)
Peter Hand
Johann Hauser
William Hawkins
Hosea Hayden
Margarethe Held
Manfred Henke
Morris Hirshfield
Josef Hofer
Stan Hopewell
Georgiana Houghton
Reverend Jesse Howard
William Howard
Peter Hughes
Hector Hyppolite
Enrico Imoda
Vladimir Isaev
Karl Hans Janke
Jaw (Cehu’pa, also known as Oki’cize Tawa—His Battle—and Samuel Charles Jaw)
Alfred Jensen
Willie Jinks
Reverend Anderson Johnson
S. L. Jones (Shields Landon Jones)
Patrick Joyce
Karl Junker
Juva (Prince Antonin Juritzky)
Peter Kapeller
Roland Kappel
Katyusha (Ekaterina Skvortsova)
Bodys Isek Kingelez
Davood Koochaki
Zdenek Kosek
Norbert H. Kox
Julia Krause-Harder
Hans Krüsi
Viktor Kulikov
Toshiro Kuwabara
Paul Laffoley
Dominique Lagru
Pavel Petrovitch Leonov
Augustin Lesage
Larry Lewis
Georges Liautaud
Albert Lubaki
Leonid Lugovykh
Pascal-Désir Maisonneuve
Anthony Mannix
Abu Bakarr Mansaray
Miroslav Marsalek (aka Mirek or Dugogh)
Julian Martin
Chris Mason
Kunizo Matsumoto
Justin McCarthy
Malcolm McKesson
Aleksandr Medvedev-Petrov
M.E.N. (Melvin Edward Nelson aka Mighty Eternal Nation)
John Miles
Dan Miller
G. T. Miller (George Thaxton Miller)
R. A. Miller (Reuben Aaron Miller)
Vitaly Molka
François Monchâtre
Sister Gertrude Morgan
William Mortensen
J. B. Murray (John Bunion Murray)
Michel Nedjar
Vitaly Neiman
Masahiko Ooe
Francis Palanc
Michael Patterson-Carver
Jean Perdrizet
Alcides Pereira dos Santos
Reverend B. F. Perkins (Benjamin Franklin Perkins)
Reverend Samuel David Phillips
Elijah Pierce
Master Pixilô (Manoel Francisco Dias)
Francesco Ponte
Erin Punzel
Alevtina Dmitriyevna Pyzhova
Josef Karl Rädler
Martín Ramírez
Robert Rapson
Émile Ratier
W. C. Rice (William Carlton Rice)
Ray Ritchie
Prophet Royal Robertson
William Rice Rode
Vasily Tichonovich Romanenkov
Yuichi Saito
Takeshi Sakamoto
Nicolò Scarlatella
Hans Schärer
Paul K. Schimmack (Paul Karl Schimmack)
Friedrich Schröder Sonnenstern
William Scott
Sava Sekulić
Tomoyuki Shinki
George Simmons
Mary T. Smith (Mary Tillman Smith)
Janet Sobel
Austin Osman Spare
L. C. Spooner (Lee Cordova Spooner)
Eric Stewart
Harald Stoffers
Marcel Storr
Ionel Talpazan
Katsuhiro Terao
James ‘Son’ Thomas
Martin Thompson
William Thomas Thompson
Bill Traylor
Lyudmila Trunova
William Tyler
John VanZile
Louis William Wain
Alfred Wallis
Melvin Way
Fred Webster
Myrtice West
Benton Wilkens
Terry Williams
Ted Willcox
Scottie Wilson
Josef Wittlich
Clarence and Grace Woolsey
Adolf Wölfli
Jim Work
William Wurfflein
Joseph Yoakum
Hideaki Yoshikawa
Francesco Zafarana
Anna Zemánková
Rosa Zharkikh
Bogdan Ziętek

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MUSEUM OF EVERYTHING

MONA (Museum of Old and New Art)

655 Main Rd
Berriedale TAS
7011, Australia

Exhibition: 10th June 2017 - 2nd April 2018

Grand Opening: 10th June, 12pm - 6pm

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You can find the Facebook event for the Grand Opening here.
More on MONA here and The Museum of Everything here.
https://mona.net.au/
http://www.musevery.com/#main