Wednesday, 20 June 2018

2018 White Columns Benefit Auction with works of HIPKISS and TICHY

Hipkiss, Bulwark No. 9, Detail, courtesy of the artists 

Miroslav Tichy untitled, undated, mixed media on photography, 13 x 18 cm
The Auction will be held on Friday, June 22nd at 91 Horatio Street, NYC

The event begins with cocktails and hors d’oeuvres at 7:00 p.m. This will then be followed by the live auction of selected lots, which will begin promptly at 8:00 p.m. The silent auction featuring works by more than 80 artists will close in stages shortly after the live auction.


Check out the show "SPEED" with works of ADEMEIT and BENDER

Opening Sat 30 Jun 2018, 7pm
We are looking forward to the opening at Künstlerhaus Stuttgart

"SPEED brings together a suite of new films by James Richards and Leslie Thornton alongside an exhibition of works by Horst Ademeit, Adelhyd van Bender, Bruce Conner, Emily Feather, Terence McCormack, Jeff Preiss and Jens Thornton. It is a presentation and a holding environment about rays, chemical reactions and molecules – as well as a certain low fi paranoia psychedelic/destructive tendencies that these can invoke. As a show, SPEED incites a specific psychic and temporal state, a rush of interconnectedness combined with a sense of ecological dread and anxiety."

For more information click here:

Friday, 1 June 2018

Proud de to be part of Foire Internationale d'Art Contemporain 2018

fiac! announces exhibitor's list 
of the 2018 edition in Paris

//
Galerie 1900-2000, Paris
303 Gallery, New York
80M2 Livia Benavides, Lima*

A
Martine Aboucaya, Paris
Air de Paris, Paris
Allen, Paris
Antenna Space, Shanghai*
Applicat-Prazan, Paris
Art : Concept, Paris
Alfonso Artiaco, Napoli

B
Balice Hertling, Paris
Bergamin & Gomide, São Paulo
Thomas Bernard - Cortex Athletico, Paris
Blum & Poe, Los Angeles, New York, Tokyo
The Breeder, Athens
Gavin Brown's enterprise, New York, Roma
Galerie Buchholz, Berlin, Köln, New York

C
Shane Campbell, Chicago
Canada, New York*
Capitain Petzel, Berlin
Cardi, Milano, London
Ceysson & Bénétière, Paris, Luxembourg, Saint-Étienne, New York
ChertLüdde, Berlin
C L E A R I N G, New York, Brussels
Sadie Coles HQ, London
Continua, San Gimignano, Beijing, Boissy-le-Châtel, Habana
Paula Cooper, New York
Raffaella Cortese, Milano
Chantal Crousel, Paris

D
Ellen De Bruijne Projects, Amsterdam
Massimo De Carlo, Milano, London, Hong Kong
Delmes & Zander, Köln
dépendance, Brussels
Downs & Ross, New York
Dvir Gallery, Tel Aviv, Brussels

E
frank elbaz, Paris, Dallas
espaivisor, Valencia
Experimenter, Kolkata

F
Imane Farès, Paris
Selma Feriani, Tunis, London
Konrad Fischer, Düsseldorf, Berlin
Freedman Fitzpatrick, Los Angeles, Paris

G
Gagosian Gallery, Paris, New York, London, Beverly Hills, Hong Kong
Christophe Gaillard, Paris
Gaudel de Stampa, Paris
gb agency, Paris
Gerhardsen Gerner, Oslo, Berlin*
Ghebaly Gallery, Los Angeles*
Gladstone Gallery, New York, Brussels
Gmurzynska, Zürich, St. Moritz
Laurent Godin, Paris
Marian Goodman, Paris, New York, London
Bärbel Grässlin, Frankfurt
Green Art Gallery, Dubai
Karsten Greve, Paris, Köln, St. Moritz

H
Hauser & Wirth, London, Somerset, New York, Los Angeles, Hong Kong, Zürich*
Max Hetzler, Berlin, Paris
High Art, Paris*
House of Gaga, México D.F., Los Angeles
Xavier Hufkens, Brussels
Eric Hussenot, Paris
Hyundai, Seoul

I
In Situ - Fabienne Leclerc, Paris
Catherine Issert, Saint-Paul

J
rodolphe janssen, Brussels*
Jousse Entreprise, Paris
Annely Juda Fine Art, London

K
Karma, New York
Karma International, Zürich, Los Angeles
Paul Kasmin, New York*
kaufmann repetto, Milano, New York
Anton Kern, New York
Peter Kilchmann, Zürich
König Galerie, Berlin, London
David Kordansky Gallery, Los Angeles
Krinzinger, Wien
Kukje, Seoul

L
Labor, México D.F.
LambdaLambdaLambda, Prishtina
Le Minotaure, Paris
Simon Lee, London, Hong Kong, New York
Lelong & Co., Paris, New York
Lisson, London, New York
Loevenbruck, Paris

M
Magazzino, Roma
Magician Space, Beijing*
Mai 36 Galerie, Zürich
Edouard Malingue, Hong Kong, Shanghai
Marcelle Alix, Paris
Giò Marconi, Milano
Martos Gallery, New York
Mazzoleni, Torino, London
Fergus McCaffrey, New York, Tokyo
Mendes Wood DM, São Paulo, Brussels, New York
kamel mennour, Paris, London
Metro Pictures, New York
Mezzanin, Genève
Francesca Minini, Milano
Massimo Minini, Brescia
Victoria Miro, London, Venezia
Mitchell-Innes & Nash, New York
Modern Art, London*
mor charpentier, Paris

N
Nächst St. Stephan Rosemarie Schwarzwälder, Wien
Nagel Draxler, Berlin, Köln
Nahmad Contemporary, New York
Neu, Berlin
Neue Alte Brücke, Frankfurt
neugerriemschneider, Berlin
NoguerasBlanchard, Barcelona, Madrid

O
Nathalie Obadia, Paris, Brussels
Guillermo de Osma, Madrid
Overduin & Co., Los Angeles

P
P420, Bologna
Pace, New York, London, Beijing, Hong Kong, Palo Alto, Seoul, Genève
Parra & Romero, Madrid, Ibiza
Peres Projects, Berlin
Perrotin, Paris, New York, Hong Kong, Seoul, Tokyo, Shanghai
Francesca Pia, Zürich
PKM Gallery, Seoul
Plan B, Cluj, Berlin
Jérôme Poggi, Paris
Praz-Delavallade, Paris, Los Angeles
Eva Presenhuber, Zürich, New York
ProjecteSD, Barcelona

R
Almine Rech, Paris, Brussels, London, New York
Reena Spaulings Fine Art, New York, Los Angeles
Regen Projects, Los Angeles
Michel Rein, Paris, Brussels
Rodeo, London
Thaddaeus Ropac, Paris, Salzburg, London

S
Salon 94, New York*
Richard Saltoun, London
SCAI THE BATHHOUSE, Tokyo
Esther Schipper, Berlin
Natalie Seroussi, Paris
Jessica Silverman, San Francisco
Skarstedt, New York, London
Pietro Sparta, Chagny
Sprüth Magers, Berlin, London, Los Angeles
Stigter Van Doesburg, Amsterdam

T
Templon, Paris, Brussels
Tornabuoni Art, Firenze, Paris, Milano, London
Tucci Russo, Torino*

U
Ubu Gallery, New York
untilthen, Paris 

V
Valentin, Paris
Georges-Philippe & Nathalie Vallois, Paris
Tim Van Laere, Antwerp*
Van de Weghe, New York
Vedovi, Brussels
Venus Over Manhattan, New York, Los Angeles
Anne de Villepoix, Paris*
Vitamin Creative Space, Guangzhou, Beijing

W
Waddington Custot, London
Michael Werner, New York, London
White Cube, London, Hong Kong
Jocelyn Wolff, Paris

Z
Thomas Zander, Köln
Zeno X, Antwerp
ZERO..., Milano
Zlotowski, Paris
Martin van Zomeren, Amsterdam
David Zwirner, New York, London, Hong Kong

Lafayette Sector
Arcadia Missa, London*
Sandy Brown, Berlin*
DOCUMENT, Chicago*
Lars Friedrich, Berlin
Jan Kaps, Köln*
Lomex, New York*
Edouard Montassut, Paris*
Bonny Poon, Paris*
Queer Thoughts, New York
Truth and Consequences, Genève

Design
Jousse Entreprise, Paris
Galerie kreo, Paris, London
LAFFANOUR - Galerie Downtown, Paris
Eric Philippe, Paris
Galerie Patrick Seguin, Paris, London

For more information click here:

Tuesday, 29 May 2018



DERRICK ALEXIS COARD
Bearded Black Men
June 7 – July 21, 2018
Opening: Thursday June 7th, 5 – 9 pm


"I was born in Brooklyn, NY in year 1981, being single-parented by my mother. At the age of 4, I started to draw beyond a child’s natural ability. I was very gifted for my age. I had a fascination with New York City bridges at the time and I drew them quite well. My art evolved over the years as I’ve gotten older, and around my adolescence I started drawing images of bearded black men. Keep in mind that today my images are what you see all the time on African-American men. My art made me popular in Humanities and the Arts High School and well liked; art being my saving grace from GOD at the time, because I suffered from chronic severe depression as a youth. Which caused me to later on seek GOD in my youthful years, as life became more of a burden where I made several conscious and unconscious suicide attempts, I became infatuated with healing and spirituality. 

This outlet in reading the word of GOD (reading religiously about GOD that loved me no matter who I was and what I did through His Son Jesus Christ) really liberated me causing me to take less medication for psychosis; loving myself-others with divine purpose. The bearded look is the image GOD favored speaking through Moses, for men not to use razors, I later found out. Since then, 
I’ve been desiring a full beard and drawing men with beards in my years to come. I attended art classes to enhance my craft throughout my life. During high schoolI attended Saturday classes at F.I.T., summer school courses at Brooklyn Museum of Art, night classes at the Jamaica Art Center, 
I received knowledge from Katherine Gibbs School (Associates Degree in Visual Communications), after high school and hands-on Saturday Studio sessions at HAI in the latter days of my life. My art is my voice for the human race. I use bearded black men as symbolic expression for possible change for the African-American male community. Expressing to them that we as a black male people can be victorious, achieving needed healing and unity. I have respect and honor towards black women too, plus I sometimes draw black women as a form of reverence to God’s creation. But my main focus is the male portion. My work is a testimonial that black men can be seen in a more positive, righteous light."
Artist's statement for the Wynn Newhouse Awards, 2016

"In the current polarized landscape of American politics, where the aspirant Presidential candidate Donald Trump can call for a ban on Muslims traveling to the United States as the Black Lives Matter movement demands equality for African Americans in in the political process, Coard’s deeply empathetic work, which explores the complex questions of race, spirituality, sexuality, and identity, finds perhaps an even greater agency and sense of urgency."
Curator Matthew Higgs about Coard's exhibition in Glasgow, 2016

Derrick Alexis Coard died unexpectedly in August of 2017.
The exhibition is a collaboration with White Columns, New York


Tuesday, 15 May 2018

"It is always a thrill to discover such fully realized art..."

Hipkiss, Bulwark #8 (detail), 2017,
graphite, silver ink, silver tape, and metal leaf on paper, 89 x 16"
For Artforum: 
Matthew Weinstein on HIPKISS Show 
April 12 - August 6 in NY 

"It is always a thrill to discover such fully realized art—Hipkiss’s Alpha and Chris Mason have been making work together since 1983. Bulwark #5, 2017, is an accumulation of doily-shaped tondos. Elegant cascading squiggles safeguard delicate branches within. The branches appear to be releasing pollen or grasping for tiny flecks of life: sustenance against our intrusions."

For more information click here:

Saturday, 12 May 2018

Delighted over Oliver Tepel's words about our current exhibition THE NIGHT CLIMBERS OF CAMBRIDGE

Current Edition of Köln Galerien

Check out the current edition of Köln Galerien to the art spaces of Cologne

"Habe ich Peter Parker, das zivile Alter Ego des SpiderMan, je in einer Ausgabe seines Comics in einer Galerie gesehen? Leider versagen hier die präzisen Erinnerungen an den Superheldenkosmos, dem ich nach der Kindheit leider untreu geworden bin. Doch das Wort „Fassadenkletterer,“ das haben mir die einstigen Übersetzer seiner Abenteuer auf ewig mitgegeben. Im Gegensatz zu der Figur populärer Imagination wollten die Fassadenkletterer britischer Universitätsstädte bei ihren Ausflügen auf die Dächer öffentlicher Gebäude unerkannt bleiben. Mit der Publikation des Alpinisten und Outdoor-Pioniers Geoffrey Winthrop Young wurde 1895 das riskante Nachtklettern publik, doch erst 1937 wird es zu einem geheimnisvollen Kult, als ein gewisser Whipplesnaith das bis heute immer wieder aufgelegte Buch Night Climbers of Cambridge veröffentlicht. Zu jenem Zeitpunkt war die Fotografietechnik auch ausgereift genug, eine Menge Bilddokumente entstehen zu lassen. Deren dichtes Schwarz-Weiß präsentiert eine geheime Welt aus jungshaftem Übermut und mysteriöser Performance, in welcher sich die Sehnsucht, alle Grenzen zu überwinden, mit der Eleganz des Freeclimbens und dem Thrill des Agentendaseins vereint. Die Galerie Delmes & Zander widmet den Night Climbers of Cambridge ab dem 17. April eine Ausstellung, in ihrem Zentrum die vom französischen Künstler Thomas Mailaender auf den Weg gebrachte Neuausgabe des legendären Buchs von 1937."
Oliver Tepel


Thursday, 3 May 2018

Installation view "Delmes & Zander" at Ebensperger Gallery in Salzburg

Installation View, Courtesy of Delmes & Zander, Photos by Ludger Paffrath

Our dear colleagues showed a part of our program from March 24 - May 05 2018

Text of Ebensperger accompanying the show: 
"Delmes & Zander gehört seit langem zu Ebenspergers Lieblingsgalerien, deren Arbeit eine Ausnahmeerscheinung im Kunstmarkt darstellt und in ihrer Idee von Kunst für uns Vorbildcharakter hat. Umso mehr freut es uns, Delmes & Zander als Galerie, als alternatives Kunsthandelsmodell in unserer Salzburger Galerie ausstellen zu dürfen.

Der Ursprung dieses Ausstellungs-programmes sind Art Brut und Outsider Art, inzwischen ineressiert vor allem der konzeptuelle Charakter der Arbeiten ihrer Künstler. Die Galerie Delmes & Zander erforscht die Grenzbereiche der Kunst und erweitert dabei immer wieder aufs Neue die geltenden Kunstbegriffe. So wurden in den letzten Jahren verstärkt Arbeiten von anonymen Künstlern gezeigt. Ausstellungen wie „Artist Unknown“, „Evidence of Ecstasy“ und „The Erotic Outsider“ erforschen Gebiete wie Pseudowissenschaften, Erotik und Voyeurismus oder Okkultismus, und erfassen somit neue Themenkomplexe.

Weitere Schwerpunkte der Galeriearbeit sind Aufarbeitung und Bewahrung von künstlerischen Nachlässen wie zum Beispiel von Horst Ademeit, Adelhyd van Bender und „Margret – Chronik einer Affäre“, ein Projekt, das große internationale Aufmerksamkeit erhielt. Die Ausstellungen der Galerie werfen mit ihrem konzeptionellen Schwerpunkt Fragen auf über herkömmliche Praktiken des Kuratierens, der Rezeption, der Produktion und der historischen Kontextualisierung von künstlerischen Positionen, die nicht immer klar einzuordnen und dennoch den herkömmlichen Strategien der zeitgenössischen Kunst gleichwertig sind. Wir zeigen eine repräsentative Auswahl dieses Programms:

Horst Ademeit
Adelhyd van Bender
Jesuys Crystiano
Martin Erhard
Margarete Held
Hipkiss
Paul Humphrey
Aurel Iselstöger
Margret – Chronicle of an Affair
Miroslav Tichy
Oswald Tschirtner
Type 42
August Walla"


"As a system, art fairs are like America: They’re broken and no one knows how to fix them."

Frieze New York art fair in 2017. Photo: Sean Zanni/Patrick McMullan via Getty Image
Jerry Saltz' proposal on Vulture: 
Break the Art Fair

"As a system, art fairs are like America: They’re broken and no one knows how to fix them. Like America, they also benefit those at the very top more than anyone else, and this gap is only growing. Like America, the art world is preoccupied by spectacle — which means nonstop art fairs, biennials, and other blowouts. Yet the place where new art comes from, where it is seen for free and where almost all the risk and innovation takes place — medium and smaller galleries – are ever pressured by rising art fair costs, shrinking attendance and business at the gallery itself, rents, and overhead. This art-fair industrial complex makes it next to impossible for any medium/small gallery to take a chance on bringing unknown or lower-priced artists to art fairs without risking major financial losses. Meanwhile high-end galleries clean up without showing much, if anything, that’s risky or innovative..."

Wednesday, 2 May 2018

"Germany is not an island" still on view at Bundeskunsthalle in Bonn

Horst Ademeit, "20.03.", Courtesy of Bundeskunsthalle

The show with HORST ADEMEIT's Polaroids 
runs till 3 June 2018

"The exhibition presents a selection of works acquired over the last five years by a specialist committee for the Contemporary Art Collection of the Federal Republic of Germany. It includes works by renowned young artists. The acquisitions testify to the high standard of the Federal Collection and show how historical and current developments, collective viewing habits and the questioning of image constructs translate into contemporary art."

Friday, 27 April 2018

Christiane Meixner recommends to check out our new gallery space

© Fred Dott, Hamburg/Courtesy of Galerie Barbara Wien, Berlin

zeit.de guides through 3 days Art Cologne 
and what to see in the city

Zeitgleich zur Art Cologne veranstalten die Kölner Galerien ein langes Wochenende. Am 21. und 22. April gelten verlängerte Öffnungszeiten, am Freitag davor eröffnen zahlreiche Ausstellungen. Das bringt halb Köln auf die Beine. Wer lieber in Ruhe unterwegs ist, beginnt den Tag mit einem individuellen Rundgang.

For more information click here:

Thursday, 19 April 2018

Happy to be recommended by Laura Henseler in KubaParis Magazin

@ Ginerva Gambino, Photo: Neven Allgeier for KubaParis
Check-out the magazine's strolling guide to ART COLOGNE 2018 

"Die ersten Sonnenstrahlen wärmen unsere müden Gesichter. Die Vögel zwitschern im Park und die ersten Würstchen bruzeln auf dem Grill. Es ist Frühling, es ist Zeit für die Art Cologne. Fünf Tage künstliches Licht, keine Privatsphäre und Kunst, die verkauft werden will. Für alle, die ein wenig Sonnenschein erhaschen wollen und durch die Straßen von Köln flanieren möchten, haben wir die richtigen Tipps auf und rund um die Art Cologne zusammengestellt. Und wer hätte uns da besser helfen können als die Kölner Kunstszene."

Tuesday, 17 April 2018

Harry Thorne picked for frieze The Night Climbers of Cambridge as a favorite to see during Art Cologne 2018

The Night Climbers of Cambrigde, Courtesy of Delmes & Zander

Check out the frieze's guide to shows during Art Cologne 2018

"In 1937, an author working under the ludicrous mononym ‘Whipplesnaith’ published The Night Climbers of Cambridge with Chatto & Windus, a photobook documenting the nocturnal exploits of Cambridge university students. In a series of gritty, monochrome plates, a set of which will be on view at Delmes & Zander during Art Cologne, groups of young, white, probably wealthy (almost definitely drunk) men vault over buttresses, shimmy between drainpipes, stand proudly atop distant nave roofs. On the risk involved in such daring acts of institutional critique, dear ‘Whipplesnaith’ (real name, hilariously: Noël Howard Symington) was defiant: ‘If you slip, you will still have three seconds to live.’"
Harry Thorne

For more information click here:

Saturday, 14 April 2018

Check out the talk with Susanne Zander about the gallery's work

Susanne Zander at Universität zu Köln
The Video is now available on 
Prof. Oberste-Hetbleck's blog

During the event Susanne Zander and Prof. Oberste-Hetbleck discussed the work of galleries, the art market and the role and evolution of Delmes & Zander in particular.

For more information click here:

Thursday, 12 April 2018

Thomas Mailaender about THE NIGHT CLIMBERS OF CAMBRIDGE

The Night Climbers of Cambridge, Courtesy of Delmes & Zander

Check out the interview from 2013 

"There’s an element of danger in these photos, too. I think of life as a kind of playground and these photos really show that" 
Thomas Mailaender

Tuesday, 10 April 2018

NIGHT CLIMBERS OF CAMBRIDGE at Delmes & Zander


THE NIGHT CLIMBERS OF 
CAMBRIDGE
April 17 – May 31, 2018
Opening April 17, 6-9 pm

„If you slip, you will still have three seconds to live.“ 
Whipplesnaith

The book The Night Climbers of Cambridge was first published in England in 1937.

It is the collected documentation of the activities of a group of Cambridge students with a fondness for a death defying hobby: to secretly scale the century-old Gothic stone masonry of college and town buildings at night. In their obscure interaction with the surrounding architecture, these young men appropriate themselves of the urban landscape and turn King's College campus into their playground.

They capture their nocturnal activities in a remarkable photographic record. It is a documentation of fearless acrobatics, taken from vertiginous angles and illuminated by camera flashes – a testimony of death-defying dauntlessness. The stark contrast between light and shadow results in a breathtaking photographic style that is uniquely dramatic and reminiscent of old film noir thrillers.

The students published the book under the pseudonym 'Whipplesnaith'. Apart from the illustrated photographs, the book features a compendium of climbing routes across the rooftops of Cambridge. The Night Climbers of Cambridge reached cult status amongst climbing societies. It was reprinted in 2007.

The fascination for the night climbers, pioneers of urban exploration, continues unchanged to this very day. Vice Magazine titled a story published in 2013 about the climbers: „Amateur Cambridge Climbing Societies were punk before punk existed.“ They embody the anarchic spirit of punk before punk and instantly bring to mind the daredevil antics of urban climbing or parkour as seen on YouTube or comparable social media channels today.

The artist Thomas Mailaender discovered two sets of the original vintage photographs of the Cambridge climbers and released a comprehensive publication in collaboration with the Archive of Modern Conflict, London, in 2014. One of the two sets is in the possession of Delmes & Zander and will be now shown at the gallery for the first time.


Friday, 6 April 2018

Happy to exhibit along with these colleagues!



List of participants 
ART COLOGNE


Hall 11.2 Contemporary Art

#
1335 Mabini (Manila)

A
A+B (Brescia), Achenbach Hagemeier (Dusseldorf), Akinci (Amsterdam), Mikael Andersen (Copenhagen), Arcadia Missa (London), Artelier Contemporary (Graz), Piero Atchugarry (Pueblo Garzón)

B
Guido W. Baudach (Berlin), Berg Contemporary (Reykjavík), Bo Bjerggaard (Copenhagen), Blain | Southern (Berlin), Bolte Lang (Zurich), Isabella Bortolozzi (Berlin), Jean Brolly (Paris) Ben Brown (Hong Kong/London), Daniel Buchholz (Cologne, Berlin), Buchmann Galerie (Berlin)

C
Gisela Capitain (Cologne), Andrea Caratsch (St. Moritz), Charim (Vienna), Clearing (New York), Conrads (Dusseldorf), Cosar HMT (Dusseldorf)

D
Erika Deák (Budapest), Delmes & Zander (Cologne), Deweer (Otegem), Dittrich & Schlechtriem (Berlin)

E
Heinrich Ehrhardt (Madrid), Eigen + Art (Berlin, Leipzig), Thomas Erben (New York)

F
Fiebach, Minninger (Cologne), Filiale (Frankfurt), Konrad Fischer (Dusseldorf)

G
Gagosian (New York, London, Paris, Rome, Beverly Hills, Hong Kong), Gallery On the Move (Tirana), Gillmeier Rech (Berlin), Laurent Godin (Paris), Bärbel Grässlin (Frankfurt), Karsten Greve (Cologne, Paris, St. Moritz), Barbara Gross (Munich), Karin Guenther (Hamburg)

H
Haas (Zurich), Hammelehle und Ahrens (Cologne), Reinhard Hauff (Stuttgart), Hauser & Wirth (Zurich, London, New York, Los Angeles), Häusler Contemporary (Zurich), Jochen Hempel (Leipzig), Max Hetzler (Berlin)

J
Jahn und Jahn (Munich), Michael Janssen (Berlin)

K
Kadel Willborn (Dusseldorf), Mike Karstens (Münster), Kimmerich (Berlin), Kleindienst (Leipzig), Klemm's (Berlin), Helga Maria Klosterfelde (Berlin), Klüser (Munich), Sabine Knust (Munich), Christine König (Vienna), König (Berlin), Eleni Koroneou (Athens), Kraupa-Tuskany Zeidler (Berlin), Krobath (Vienna), Bernd Kugler (Innsbruck)

L
Lange + Pult (Zurich), Le Guern (Warsaw), Gebr. Lehmann (Dresden), Christian Lethert (Cologne), Lisson Gallery (London, New York), Löhrl (Mönchengladbach), Lullin + Ferrari (Zurich), Lumen Travo (Amsterdam)

M
Gio Marconi (Milan), Martinetz (Cologne), Daniel Marzona (Berlin), Hans Mayer (Dusseldorf), Max Mayer (Dusseldorf), Mirko Mayer (Cologne), Galleria Mazzoli (Modena), Mario Mazzoli (Berlin), Kamel Mennour (Paris), Vera Munro (Hamburg)

N
nächst St. Stephan (Vienna), Nagel Draxler (Cologne, Berlin), Nanzuka (Tokyo), Neon Parc (Melbourne), Neu (Berlin), Carolina Nitsch (New York), Nosbaum & Reding (Luxemburg)

P
Paragon (London), Pearl Lam (Hong Kong, Shanghai, Singapore), Priska Pasquer (Cologne), Giorgio Persano (Turin), Rupert Pfab (Dusseldorf), Jérôme Poggi (Paris), Berthold Pott (Cologne), Produzentengalerie (Hamburg), Project Native Informant (London

R
Thomas Rehbein (Cologne), Petra Rinck (Dusseldorf), Thaddaeus Ropac (Salzburg, Paris), Philipp von Rosen (Cologne), Nicolaus Ruzicska (Salzburg)

S
Deborah Schamoni (Munich), Brigitte Schenk (Cologne), Esther Schipper (Berlin), Anke Schmidt (Cologne), Schönewald (Dusseldorf), Rüdiger Schöttle (Munich), Sies + Höke (Dusseldorf), Slewe (Amsterdam), Filomena Soares (Lisbon), Sommer Contemporary (Tel Aviv), Sprüth Magers (Berlin, London, Los Angeles), Edition Staeck (Heidelberg), Paul Stolper (London), Walter Storms (Munich), Jacky Strenz (Frankfurt)

T
Elisabeth & Klaus Thoman (Innsbruck), Wilma Tolksdorf (Frankfurt)

V
Van Horn (Düsseldorf), Vartai (Vilnius)

W
Weiss Falk (Basel), Fons Welters (Amsterdam), Wentrup (Berlin), Michael Werner (Cologne, London, New York), White Cube (London, Hong Kong), Barbara Wien (Berlin), Jocelyn Wolff (Paris)

Z
Zahorian + van Espen (Prague), Zilberman (Istanbul), Martin van Zomeren (Amsterdam), David Zwirner (New York, London).

Hall 11.1 Modern & Postwar Art

B
Beck & Eggeling (Dusseldorf), Klaus Benden (Cologne), Boisserée (Cologne)

D
Derda (Berlin), Dierking (Zurich), Döbele (Mannheim)

F
Johannes Faber (Vienna), Fischer Kunsthandel & Edition (Berlin), Klaus Gerrit Friese (Berlin)

H
Hagemeier (Frankfurt), Henze & Ketterer (Wichtrach / Bern), Ernst Hilger (Vienna), Hoffmann (Friedberg), Heinz Holtmann (Cologne)

K
Kanalidarte (Brescia), Koch (Hanover), Konzett (Vienna)

L
Lahumière (Paris), Le Minotaure (Paris), Lelong (Paris) Levy (Hamburg), Lorenzelli Arte (Milan), Ludorff (Dusseldorf)

M
Maulberger (Munich), Moderne (Silkeborg)

N
Georg Nothelfer (Berlin)

R
Margarete Roeder (New York), Thole Rotermund (Hamburg), Ruberl (Vienna)

S
Thomas Salis (Salzburg), Samuelis Baumgarte (Bielefeld), Julian Sander (Cologne), Aurel Scheibler (Berlin), Schlichtenmaier (Grafenau), Michael Schultz (Berlin), Schwarzer (Dusseldorf), Setareh (Dusseldorf), Simoens (Knokke), Florian Sundheimer (Munich)

T
Hollis Taggart (New York), Taguchi Fine Art (Tokyo), Tanit (Munich), Thomas (Munich)

U
Utermann (Dortmund)

V
Valentien (Stuttgart), von Vertes (Zurich)

W
Whitestone (Tokyo, Hong Kong).

Hall 11.3 NEUMARKT

#
22,48 m² (Paris)

A
Alma (Riga)

C
Clages (Cologne), Gisela Clement (Bonn), Conradi (Hamburg), Crèvecoeur (Paris)

D
Drei (Cologne)

F
Future (Berlin)

H
Natalia Hug (Cologne)

K
Jan Kaps (Cologne), Kiche (Seoul)

L
Alexander Levy (Berlin)

M
Kai Matsumiya (New York), Maubert (Paris), MIER (Los Angeles)

P
Piktogram (Warsaw), Polansky Gallery (Prague), PPC Philipp Pflug Contemporary (Frankfurt)

R
Ruttkowski;68 (Cologne)

S
Soy Capitán (Berlin), Sperling (Munich), Supplement (London), Supportico Lopez (Berlin)

T
Bene Taschen (Cologne), Rob Tufnell (London, Cologne)

U
Union Pacific (London)

X
Xavierlaboulbenne (Berlin)

Delmes & Zander at ART COLOGNE 2018

Miroslav Tich, Courtesy of Delmes & Zander
THAT'S RIGHT MY LOVE, RELAX
Miroslav Tichý, Type 42 (Anonymous),
Vanessa Conte, Scrapbooks
ART COLOGNE April 19–22, 2018
Hall 11.3 / Booth A 22

The iconic photographs of Miroslav Tichý (1926-2011), taken mostly in secrecy, are both an encyclopedic collection of his coveted objects of desire and a long-term study on femininity. Tichý has been shown by the gallery since the early 1990s and is featured in numerous international museum collections. He is regarded as one of the most important photographic artists of our time.
Type 42 (Anonymous) is similarly a study on the representation of female identity: the photographs taken from the television screen are essentially a hand-picked inventory of female film stars from the 60s and 70s. The meticulously catalogued polaroids, each one featuring the name of the actress portrayed, capture all facets of female emotion and thus constitute „an exhaustive study of what it is to be a woman“ (Cindy Sherman). Currently, the artist’s works are on view in the show Outliers and American Vanguard Art at the National Gallery of Art, Washington, curated by Lynne Cooke. In 2014, a book was published in collaboration with Walther König publishing with an essay by Cindy Sherman. The technique of scrapbooking, a method of collecting and arranging image and text clippings from newspapers and magazines, originated in England in the 19th century as a popular pastime. The individually arranged scrapbooks of 1940s-50s celebrities in the exhibition can be viewed as collages of personal longing and desire. 

The bodies depicted in the works of Vanessa Conte (*1977) often push the female form to its physical limits. The works are humourous and prompt a narrative that feels both surreal and ambiguous. As we watch in awe and fascination trying to make sense of what we see, it becomes evident that there is no clear notion of right and wrong. Conte's work has been shown at JB Jurve, Los Angeles; Hester Gallery, New York; Various Small Fires, Los Angeles; Gavin Brown’s Enterprise, New York; Night Gallery, Los Angeles, Ginerva Gambino, Cologne and others. Upcoming exhibition at: Commonwealth & Council, Los Angeles.

The exhibition "That's right my love, relax" is a collaboration with Rob Tufnell (Cologne) and Ginerva Gambino (Cologne).

For more information click here:

Thursday, 29 March 2018

Saturday, 24 March 2018

Hipkiss' solo museum show "Bulwark" at The Drawing Center, New York

Hipkiss, Bulwark #2, #3, #6, #8, and #9 from The Towers, 2017, Courtesy of the artist
The exhibition will run from April 06 - August 12, 2018

"Praised for their meticulously-detailed panoramic landscapes, Anglo-French artists Alpha and Chris Mason, known collectively as Hipkiss, have been collaborating for three decades on intricate drawings that interweave dystopian narratives with a personal lexicon of symbolic forms. Past works by Hipkiss chronicle fictional histories of warring clans, urban crusades, and quasi-apocalyptical societies."

For more information click here:

Thursday, 22 March 2018

DIETRICH ORTH on view at Museum Moderner Kunst Wien

Glimpse on the exhibition Optik Schröder II, Photo: MuMok 
The show at MuMoK is on view till May 25th

"These works illustrate some of the key conceptual trends and positions in the development of Western art in the past three decades, including references to social issues, queer lifestyles, the critique of institutions and the economy, critical investigation of public spaces and architecture, poetry, and contemporary forms of critical painting."

For more information click here:

Saturday, 17 March 2018

Galerie Ebensperger exhibits Delmes & Zander

Horst Ademeit, 16/03/1994, Courtesy of Delmes & Zander
From March 24th - May 5th a selection of our program is on view in Salzburg

"Delmes & Zander gehört seit langem zu Ebenspergers Lieblingsgalerien, deren Arbeit eine Ausnahmeerscheinung im Kunstmarkt darstellt und in ihrer Idee von Kunst für uns Vorbildcharakter hat. Umso mehr freut es uns, Delmes & Zander als Galerie, als alternatives Kunsthandelsmodell in unserer Salzburger Galerie ausstellen zu dürfen."

Wednesday, 14 March 2018

Ania Szremski reviews our booth at Independent

View on our booth at Independent 2018
Check out the article on art agenda

"Chira is described in press materials as a conceptualist, and indeed came of age professionally at the apogee of that dry, cerebral movement, but he might be more accurately described as an engineer, a mystic, and a shaman. (...)"

For more information click here:

Sunday, 11 March 2018

Check-out AVENUE magazine's review of our booth at Independent 2018

Glimpse on our booth at Independent 2018

"This was my favorite thing I saw, and justified the entire day for me. The objective abstraction of the Romanian artist Alexandru Chira’s whispy drawings and paintings feel like something from the ‘10s or ‘20s. They brings to mind other things as well, like Da Vinci’s notebooks, the art produced by Schizophrenics popular at the turn of the 20th century, or, with their emphasis on strange UFO-like shapes, the contemporary new age movement."

For more information click here:

Review of The Art Newspaper of our booth at Independent 2018

"Study XVII", Alexandru Chira, Courtesy of Delmes & Zander 
James H. Miller writes about our presentation of ALEXANDRU CHIRA

"Like many others at the fair, Saltz thrilled to Alexandru Chira, the subject of Cologne’s Delmes & Zander’s booth, the late Romanian artist’s first solo presentation in the US. Chira’s diagrammatic drawings and canvases are intricate and obsessive elaborations on his creation of a meteorological monument in his small village in Transylvania, which is still being constructed, that will generate rain and rainbows—the artist’s response to a drought that plagued his village for an entire year."

For more information click here:

Saturday, 10 March 2018

Now on view with polaroids of HORST ADEMEIT: "Germany is not an island" at Bundeskunsthalle

Installation view of polaroids of Horst Ademeit
Read the nice review of WAZ

Artworks that have been acquired by a committee of experts for the Collection of the Federal Republic of Germany over the last five years.

For more information click here:

Friday, 9 March 2018

New York Times publishes Don't-Misses at Independent and NADA 2018

Glimpse on our booth at Indenpendent 2018
Delighted to be among Will Heinrich's "very-best" booths for New York Times

"Continue next door to Alexandru Chira (1947-2011) in his first solo show outside Romania. A professor of painting in Bucharest, Mr. Chira spent years building a colorful installation called “De-signs towards the sky for rain and rainbow” in his native village in Transylvania. A series of hazy but elaborate diagrams and drawings, some on a truncated hexagon shape that he thought would promote the land’s fertility, are dreamily enrapturing.”

For more information click here:

Wednesday, 7 March 2018

Matthew Higgs selects his Must-See Galleries at this year's Independent Fair

"Mirror for Self-portrait", Alexandru Chira, Courtesy of Delmes & Zander

Delmes & Zander a Must-See for Director and Chief Curator of non-profit space White Columns 

Garage of Vice network asked Matthew Higgs to name six gallery presentations not to miss. 

"Fair stalwart Delmes & Zander will present, for the first time in the US, a solo exhibition of work by maverick Romanian artist Alexandru Chira (1947–2011). Chira’s visionary practice embraced architecture, design, astronomy, magic, ufology, shamanism, and much more besides; he created a labyrinthine oeuvre that found its ultimate manifestation in the vast, unfinished monument/earthwork he began in 1994 in his hometown of Tauseni, Romania."

For more information click here:


Tuesday, 6 March 2018

Check out Benjamin Sutton's overview about all art fairs in NYC this week

The interior of the Armory Show art fair (photo by Benjamin Sutton/Hyperallergic)

Booth of works by Alexandru Chira mentioned

Benjamin Sutton's guide through NYC's art fairs of the week delivers a concise overview. We are happy to be part of it. 

For more information click here:


Sunday, 4 March 2018

Check out our booth at Independent NYC!

"Study XVII", Alexandru Chira, Courtesy of Delmes & Zander

March 9 - 11 at Spring Studios  

Friday, March 9, 12–7 pm
Saturday, March 10, 12–7 pm
Sunday, March 11, 12–6 pm

Have a look a at our fair homepage:
independenthq.com/galleries/delmes-zander


Friday, 2 March 2018

Adelhyd van Bender, Hipkiss, Miroslav Tichy and others are guests of Ebensperger Gallery

"Why the Sun", Hipkiss, 2012, mixed media on paper, 146 x 92 cm, Courtesy of Delmes & Zander
from March 23rd - May 5th

We are happy to be guests of Ebensperger Gallery Salzburg with works by Adelhyd van Bender, Horst Ademeit, Miroslav Tichy, Type 42, Jesuys Christiano, Martin Erhard, Hipkiss, Margarethe Held, Aurel Iselstöger, Oswald Tchirtner, August Walla and Margret - Chronicle of an Affair.

For more information click here:




Thursday, 1 March 2018

Horst Ademeit part of "GERMANY IS NOT AN ISLAND" at Bundeskunsthalle

"2481", Horst Ademeit, Courtesy of Delmes & Zander

On view at Bundeskunsthalle, Bonn, 
8 March - 27 May 2018 

"The exhibition showcases a total of 150 selected works by 81 artists, whose work has been acquired by a committee of experts for the Collection of the Federal Republic of Germany over the last five years for approximately 1.7 million Euros. 
They focused primarily, amongst other things, on the question, “Which artworks make particular reference to our society, and can convey information, now and in the future, about the state of our present-day Germany?”

For more information click here:

Wednesday, 28 February 2018

Check out the catalogue of "Outliers and American Vanguard Art" at National Gallery of Art



Catalogue "Outliers and American Vanguard Art", National Gallery of Art
Type 42, Morton Bartlett, Eugene von Bruenchenhein are on view until May 13, 2018


"Outliers and American Vanguard Art is the most comprehensive show ever to examine outliers in dialogue with their established peers. It is sure to inspire vigorous conversation about how artists and the work they make are represented.

Since the last century, the relationship between vanguard and self-taught artists has been defined by contradiction. The established art world has been quick to make clear distinctions between trained and untrained artists, yet at the same time it has been fascinated by outliers, whom it draws selectively and intermittently into its orbits. For a new exhibition launching at the National Gallery of Art, curator Lynne Cooke explores shifting conceptualizations of the American outlier across the 20th century, drawing on the inherent sociality of the exhibition in her installation of these works. This companion catalog, Outliers and American Vanguard Art, offers a fantastic opportunity to consider works by schooled and self-taught creators in relation to each other and defined by historical circumstance."
Lynne Cooke