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George Widener, Time Machine, 2010, Mixed media on canvas, 184 x 139
cm, Collection Torsten Kunert, Copyright George Widener / Courtesy
Delmes & Zander, Cologne, Foto: Bernhard Schaub.
|
8 November, 2019 - 15 March, 2020
“In late autumn 2019, Museum Folkwang will present
a show that transcends media and epochs to explore the major societal
issues and upheavals of the last 150 years. The Assembled Human
presents art as a mirror of industrialisation, technologisation and
digitisation. It provides a cultural-historical survey that
encompasses key works of painting and graphic design, early
experiments in photography, installations and films, along with
recent works of Post-Internet Art.
The exhibition focuses on the manifold entanglements
between human beings and machines, which are explored in several
thematic sections. From the Industrial Revolution to the Information
Age, generations of artists have dealt with technological innovations
and their impact on humankind. The international loans shown in the
exhibition range from photographic records of early industrialisation
to Modernist art. They cover experiments in video and performance art
from the 1960s through to contemporary art – because today more
than ever, technological progress is inextricably linked with
anxieties over losses of freedom and individuality. Contemporary
works reflect current artistic investigations into the new
possibilities and impossibilities that the digital age entails.“
The show includes works by Walter Heinz Allner, Bettina von Arnim, Gerd Arntz, Ed Atkins, Giacomo Balla, Joachim Bandau, Lenora de Barros, Willi Baumeister, Thomas Bayrle, Rudolf Belling, Ella Bergmann-Michel, Renato Bertelli, Alexandra Bircken, Umberto Boccioni, Wilhelm Braune, John Cage, Helen Chadwick, Computer Technique Group (CTG), Charles A. Csuri, Mariechen Danz, Fortunato Depero, Walter Dexel, Otto Dix, Marcel Duchamp, Raymond Duchamp-Villon, Charles & Ray Eames, Max Ernst, Alexandra Exter, Öyvind Fahlström, Harun Farocki, William Allan Fetter, Otto Fischer, Herbert W. Franke, Carl Grossberg, George Grosz, Richard Hamilton, Barbara Hammer, Sidsel Meineche Hansen, Raoul Hausmann, John Heartfield, Lynn Hershman Leeson, Eva Hesse, Heinrich Hoerle, Rebecca Horn, Vilmos Huszár, Boris Ignatowitsch, Fritz Kahn, Wassily Kandinsky, Anne-Mie van Kerckhoven, Friedrich Kiesler, Konrad Klapheck, Jürgen Klauke, Heinrich Kley, Josh Kline, Iwan Kljun, Alexander Kluge, Kiki Kogelnik, Germaine Krull, Boris Kudojarow, Helmuth Kurth, Jürgen van Kranenbrock, Maria Lassnig, Fernand Léger, Alice Lex-Nerlinger, Roy Lichtenstein, El Lissitzky, Hilary Lloyd, Goshka Macuga, René Magritte, Kasimir Malewitsch, Man Ray, Étienne-Jules Marey, Rémy Markowitsch, Caroline Mesquita, László Moholy-Nagy, Johannes Molzahn, Alexei Morgunow, Martin Munkácsi, Eadweard Muybridge, Otto Neurath, Katja Novitskova, ORLAN, Tony Oursler, Trevor Paglen, Nam June Paik, Eduardo Paolozzi, Georgi Petrusow, Antoine Pevsner, Walter Pichler, Jon Rafman, Robert Rauschenberg, Timm Rautert, Alexander Rodtschenko, Thomas Ruff, Walter Ruttmann, James Shaffer, Arkadi Schaichet, Xanti Schawinsky, Helmut Schenk, Oskar Schlemmer, Nicolas Schöffer, Franz Wilhelm Seiwert, Avery Singer, Stelarc, Friedemann von Stockhausen, Thayaht, Paul Thek, Jean Tinguely, Patrick Tresset, Anna Uddenberg, Erwin Wendt, Hugo von Werden, George Widener.
As the exhibition
explores a wide spectrum of topics and artists discussing
societal issues of the last 150 years, it is divided
into 18 different chapters such as “War and Acceleration”, "The
X-Rayed Human” and back to “Industrial Worlds of Work”.
Discover the different
chapters of the exhibition here.
For further information about the exhibition visit:
www.museum-folkwang.de
www.museum-folkwang.de
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