TYPE 42 (Anonymous) at Tomasz Machciński Foundation

Type 42 (Anonymous): Loni Anderson, mixed media on photography, 8.3 x 10.8 cm, Courtesy Delmes & Zander

, Cologne

Tomasz Machciński & Type 42 (Anonymous). With Love to Tommy

September 20 – September 29, 2019

The opening of the exhibition is taking place during Warsaw Gallery Weekend on Friday, 20.09, 5-9 pm at Tomasz Machciński Foundation.

"The exhibition With love to Tommy brings together two artists, who share a common fascination for the classic vision of Hollywood, and simultaneously a resistance against its power over the viewers glance. In their photographs, which draw from the camp aesthetics of the turn of the 1960’s and 70’s, they appropriate and process images of femininity created in the dream factory, for their own use. Thanks to the cooperation with the Delmes & Zander Gallery in Cologne, the works of Type 42 will be presented to the polish public for the first time. (...)"

For further information please visit:
www.tomaszmachcinski.org
www.warsawgalleryweekend.pl

"Outliers and American Vanguard Art" at Lacma, Los Angeles

Type 42 (Anonymous), Ava Gardner, mixed media on photography, 1960s-1970s, 8,3 x 10,8 cm

Type 42, Morton Bartlett and Eugene von Bruenchenhein are part of the show "Outliers and American Vanguard Art", curated by Lynne Cooke at LACMA, Los Angeles until March 17, after it was shown in the National Gallery of Art, Washington D.C. in 2018.

LACMA hosts the West Coast presentation of Outliers and American Vanguard Art, the first major exhibition to explore key moments in American art history when avant-garde artists and outliers intersected, and how their interchanges ushered in new paradigms based on inclusion, integration, and assimilation. The first part of the exhibition illustrates how the early history of American modernism, especially the first years of the Museum of Modern Art, championed folk art and self-taught artists before the ascendance of abstract expressionism. The second section begins in the late 1960s when artists affiliated with the Chicago Imagists and West Coast assemblage practices became the leading advocates for outliers and visionary artists. The third section shows the continued impact of outlier practices on contemporary art.

The exhibition features over 250 works in a range of media by more than 80 self-taught and trained artists such as Henry Darger, Sam Doyle, William Edmondson, Lonnie Holley, Greer Lankton, Sister Gertrude Morgan, Matt Mullican, Horace Pippin, Martín Ramírez, Betye Saar, Judith Scott, Charles Sheeler, Cindy Sherman, Bill Traylor, and Kara Walker.

Read more on the homepage of Lacma.

Getting Ready for fiac!

Prophet Royal Robertson, untitled (Almightly Dies Odin), 1980s, Courtesy D&Z

Visit us October 18 – 21 at Grand Palais, 
Salon d'Honneur - booth 1.J21

"The 45th edition of FIAC will be held in Paris from 18 to 21 October 2018 and will host 193 galleries in the nave and exhibition rooms of the Grand Palais.

The 2018 selection – including many of the most influential specialists worldwide in the fields of modern art, contemporary art and design – will present the finest examples of artistic creation since the turn of the twentieth century; modern masters through to the latest trends..."

fiac.com/en/what-the-fiac/

fiac.com/en/

Happy to exhibit along with these colleagues!

List of participants 
ART COLOGNE

Hall 11.2 Contemporary Art

#
1335 Mabini (Manila)

A
A+B (Brescia), Achenbach Hagemeier (Dusseldorf), Akinci (Amsterdam), Mikael Andersen (Copenhagen), Arcadia Missa (London), Artelier Contemporary (Graz), Piero Atchugarry (Pueblo Garzón)

B
Guido W. Baudach (Berlin), Berg Contemporary (Reykjavík), Bo Bjerggaard (Copenhagen), Blain | Southern (Berlin), Bolte Lang (Zurich), Isabella Bortolozzi (Berlin), Jean Brolly (Paris) Ben Brown (Hong Kong/London), Daniel Buchholz (Cologne, Berlin), Buchmann Galerie (Berlin)

C
Gisela Capitain (Cologne), Andrea Caratsch (St. Moritz), Charim (Vienna), Clearing (New York), Conrads (Dusseldorf), Cosar HMT (Dusseldorf)

D
Erika Deák (Budapest), Delmes & Zander (Cologne), Deweer (Otegem), Dittrich & Schlechtriem (Berlin)

E
Heinrich Ehrhardt (Madrid), Eigen + Art (Berlin, Leipzig), Thomas Erben (New York)

F
Fiebach, Minninger (Cologne), Filiale (Frankfurt), Konrad Fischer (Dusseldorf)

G
Gagosian (New York, London, Paris, Rome, Beverly Hills, Hong Kong), Gallery On the Move (Tirana), Gillmeier Rech (Berlin), Laurent Godin (Paris), Bärbel Grässlin (Frankfurt), Karsten Greve (Cologne, Paris, St. Moritz), Barbara Gross (Munich), Karin Guenther (Hamburg)

H
Haas (Zurich), Hammelehle und Ahrens (Cologne), Reinhard Hauff (Stuttgart), Hauser & Wirth (Zurich, London, New York, Los Angeles), Häusler Contemporary (Zurich), Jochen Hempel (Leipzig), Max Hetzler (Berlin)

J
Jahn und Jahn (Munich), Michael Janssen (Berlin)

K
Kadel Willborn (Dusseldorf), Mike Karstens (Münster), Kimmerich (Berlin), Kleindienst (Leipzig), Klemm's (Berlin), Helga Maria Klosterfelde (Berlin), Klüser (Munich), Sabine Knust (Munich), Christine König (Vienna), König (Berlin), Eleni Koroneou (Athens), Kraupa-Tuskany Zeidler (Berlin), Krobath (Vienna), Bernd Kugler (Innsbruck)

L
Lange + Pult (Zurich), Le Guern (Warsaw), Gebr. Lehmann (Dresden), Christian Lethert (Cologne), Lisson Gallery (London, New York), Löhrl (Mönchengladbach), Lullin + Ferrari (Zurich), Lumen Travo (Amsterdam)

M
Gio Marconi (Milan), Martinetz (Cologne), Daniel Marzona (Berlin), Hans Mayer (Dusseldorf), Max Mayer (Dusseldorf), Mirko Mayer (Cologne), Galleria Mazzoli (Modena), Mario Mazzoli (Berlin), Kamel Mennour (Paris), Vera Munro (Hamburg)

N
nächst St. Stephan (Vienna), Nagel Draxler (Cologne, Berlin), Nanzuka (Tokyo), Neon Parc (Melbourne), Neu (Berlin), Carolina Nitsch (New York), Nosbaum & Reding (Luxemburg)

P
Paragon (London), Pearl Lam (Hong Kong, Shanghai, Singapore), Priska Pasquer (Cologne), Giorgio Persano (Turin), Rupert Pfab (Dusseldorf), Jérôme Poggi (Paris), Berthold Pott (Cologne), Produzentengalerie (Hamburg), Project Native Informant (London

R
Thomas Rehbein (Cologne), Petra Rinck (Dusseldorf), Thaddaeus Ropac (Salzburg, Paris), Philipp von Rosen (Cologne), Nicolaus Ruzicska (Salzburg)

S
Deborah Schamoni (Munich), Brigitte Schenk (Cologne), Esther Schipper (Berlin), Anke Schmidt (Cologne), Schönewald (Dusseldorf), Rüdiger Schöttle (Munich), Sies + Höke (Dusseldorf), Slewe (Amsterdam), Filomena Soares (Lisbon), Sommer Contemporary (Tel Aviv), Sprüth Magers (Berlin, London, Los Angeles), Edition Staeck (Heidelberg), Paul Stolper (London), Walter Storms (Munich), Jacky Strenz (Frankfurt)

T
Elisabeth & Klaus Thoman (Innsbruck), Wilma Tolksdorf (Frankfurt)

V
Van Horn (Düsseldorf), Vartai (Vilnius)

W
Weiss Falk (Basel), Fons Welters (Amsterdam), Wentrup (Berlin), Michael Werner (Cologne, London, New York), White Cube (London, Hong Kong), Barbara Wien (Berlin), Jocelyn Wolff (Paris)

Z
Zahorian + van Espen (Prague), Zilberman (Istanbul), Martin van Zomeren (Amsterdam), David Zwirner (New York, London).

Hall 11.1 Modern & Postwar Art

B
Beck & Eggeling (Dusseldorf), Klaus Benden (Cologne), Boisserée (Cologne)

D
Derda (Berlin), Dierking (Zurich), Döbele (Mannheim)

F
Johannes Faber (Vienna), Fischer Kunsthandel & Edition (Berlin), Klaus Gerrit Friese (Berlin)

H
Hagemeier (Frankfurt), Henze & Ketterer (Wichtrach / Bern), Ernst Hilger (Vienna), Hoffmann (Friedberg), Heinz Holtmann (Cologne)

K
Kanalidarte (Brescia), Koch (Hanover), Konzett (Vienna)

L
Lahumière (Paris), Le Minotaure (Paris), Lelong (Paris) Levy (Hamburg), Lorenzelli Arte (Milan), Ludorff (Dusseldorf)

M
Maulberger (Munich), Moderne (Silkeborg)

N
Georg Nothelfer (Berlin)

R
Margarete Roeder (New York), Thole Rotermund (Hamburg), Ruberl (Vienna)

S
Thomas Salis (Salzburg), Samuelis Baumgarte (Bielefeld), Julian Sander (Cologne), Aurel Scheibler (Berlin), Schlichtenmaier (Grafenau), Michael Schultz (Berlin), Schwarzer (Dusseldorf), Setareh (Dusseldorf), Simoens (Knokke), Florian Sundheimer (Munich)

T
Hollis Taggart (New York), Taguchi Fine Art (Tokyo), Tanit (Munich), Thomas (Munich)

U
Utermann (Dortmund)

V
Valentien (Stuttgart), von Vertes (Zurich)

W
Whitestone (Tokyo, Hong Kong).

Hall 11.3 NEUMARKT

#
22,48 m² (Paris)

A
Alma (Riga)

C
Clages (Cologne), Gisela Clement (Bonn), Conradi (Hamburg), Crèvecoeur (Paris)

D
Drei (Cologne)

F
Future (Berlin)

H
Natalia Hug (Cologne)

K
Jan Kaps (Cologne), Kiche (Seoul)

L
Alexander Levy (Berlin)

M
Kai Matsumiya (New York), Maubert (Paris), MIER (Los Angeles)

P
Piktogram (Warsaw), Polansky Gallery (Prague), PPC Philipp Pflug Contemporary (Frankfurt)

R
Ruttkowski;68 (Cologne)

S
Soy Capitán (Berlin), Sperling (Munich), Supplement (London), Supportico Lopez (Berlin)

T
Bene Taschen (Cologne), Rob Tufnell (London, Cologne)

U
Union Pacific (London)

X
Xavierlaboulbenne (Berlin)

Delmes & Zander at ART COLOGNE 2018

Miroslav Tichý, Courtesy of Delmes & Zander

THAT'S RIGHT MY LOVE, RELAX

Miroslav Tichý, Type 42 (Anonymous),

Vanessa Conte, Scrapbooks

ART COLOGNE April 19–22, 2018

Hall 11.3 / Booth A 22

The iconic photographs of Miroslav Tichý (1926-2011), taken mostly in secrecy, are both an encyclopedic collection of his coveted objects of desire and a long-term study on femininity. Tichý has been shown by the gallery since the early 1990s and is featured in numerous international museum collections. He is regarded as one of the most important photographic artists of our time.

Type 42 (Anonymous) is similarly a study on the representation of female identity: the photographs taken from the television screen are essentially a hand-picked inventory of female film stars from the 60s and 70s. The meticulously catalogued polaroids, each one featuring the name of the actress portrayed, capture all facets of female emotion and thus constitute „an exhaustive study of what it is to be a woman“ (Cindy Sherman). Currently, the artist’s works are on view in the show Outliers and American Vanguard Art at the National Gallery of Art, Washington, curated by Lynne Cooke. In 2014, a book was published in collaboration with Walther König publishing with an essay by Cindy Sherman. The technique of scrapbooking, a method of collecting and arranging image and text clippings from newspapers and magazines, originated in England in the 19th century as a popular pastime. The individually arranged scrapbooks of 1940s-50s celebrities in the exhibition can be viewed as collages of personal longing and desire. 

The bodies depicted in the works of Vanessa Conte (*1977) often push the female form to its physical limits. The works are humourous and prompt a narrative that feels both surreal and ambiguous. As we watch in awe and fascination trying to make sense of what we see, it becomes evident that there is no clear notion of right and wrong. Conte's work has been shown at JB Jurve, Los Angeles; Hester Gallery, New York; Various Small Fires, Los Angeles; Gavin Brown’s Enterprise, New York; Night Gallery, Los Angeles, Ginerva Gambino, Cologne and others. Upcoming exhibition at: Commonwealth & Council, Los Angeles.

The exhibition "That's right my love, relax" is a collaboration with Rob Tufnell (Cologne) and Ginerva Gambino (Cologne).

For more information click here:

artcologne-katalog.koelnmesse.online/delmes&zander/
artcologne.com/

Adelhyd van Bender, Hipkiss, Miroslav Tichy and others are guests of Ebensperger Gallery

"Why the Sun", Hipkiss, 2012, mixed media on paper, 146 x 92 cm, Courtesy of Delmes & Zander

Ebensperger x Delmes & Zander in Salzburg,

from March 23rd - May 5th

We are happy to be guests of Ebensperger Gallery Salzburg with works by Adelhyd van Bender, Horst Ademeit, Miroslav Tichy, Type 42, Jesuys Christiano, Martin Erhard, Hipkiss, Margarethe Held, Aurel Iselstöger, Oswald Tchirtner, August Walla and Margret - Chronicle of an Affair.

For more information click here:

galerieebensperger.net

facebook.com/galerieebensperger

Check out the catalogue of "Outliers and American Vanguard Art" at National Gallery of Art

Catalogue "Outliers and American Vanguard Art", National Gallery of Art

Type 42, Morton Bartlett, Eugene von Bruenchenhein are on view until May 13, 2018

"Outliers and American Vanguard Art is the most comprehensive show ever to examine outliers in dialogue with their established peers. It is sure to inspire vigorous conversation about how artists and the work they make are represented.

Since the last century, the relationship between vanguard and self-taught artists has been defined by contradiction. The established art world has been quick to make clear distinctions between trained and untrained artists, yet at the same time it has been fascinated by outliers, whom it draws selectively and intermittently into its orbits. For a new exhibition launching at the National Gallery of Art, curator Lynne Cooke explores shifting conceptualizations of the American outlier across the 20th century, drawing on the inherent sociality of the exhibition in her installation of these works. This companion catalog, Outliers and American Vanguard Art, offers a fantastic opportunity to consider works by schooled and self-taught creators in relation to each other and defined by historical circumstance."

Lynne Cooke

For more information click here:
nga.gov/exhibitions/2018/outliers-and-american-vanguard-art.html

shop.nga.gov

TYPE 42 (Anonymous) in "Outliers and American Vanguard Art" at National Gallery of Art, Washington

TYPE 42 (Anonymous), Courtesy Delmes & Zander 

Curated by Lynne Cooke, 

on view from January 28th - May 13th, 2018

Outliers and American Vanguard Art focuses on three periods over the last century when the intersection of self-taught artists with the mainstream has been at its most fertile. It is the first major exhibition to explore how those key moments, which coincided with periods of American social, political, and cultural upheaval, challenged or erased traditional hierarchies and probed prevailing assumptions about creativity, artistic practice, and the role of the artist in contemporary culture.

For more information click here:

https://www.nga.gov/exhibitions/2018/outliers-and-american-vanguard-art.html

https://www.nga.gov/