Showing posts with label Wesley Willis. Show all posts
Showing posts with label Wesley Willis. Show all posts

Thursday, 2 August 2018

Catalogue accompanying 'In and Out of Africa', curated by António Saint Silvestre



The bilingual catalog (Portuguese/English) includes a selection of works from the Treger/Saint Silvestre Collection on view and texts by the collector and the curator of the exhibition António Saint Silvestre and the Director of Núcleo de Arte da Oliva Andreia Magalhães.
Year: 2018
Price: 17 €

For more information click here:

Wednesday, 20 June 2018

Chicago Calling: Art Against the Flow with Works by WESLEY WILLIS

Opening Thursday, June 28, 2018
5–8 p.m.


"Chicago Calling: Art Against the Flow explores Chicago’s history of robust recognition and acceptance of self-taught art and artists. Curated by Kenneth C. Burkhart, an independent curator, and Lisa Stone, curator of the Roger Brown Study Collection of the School of the Art Institute of Chicago, the exhibition presents intrinsic themes embodied in the works of 10 Chicago artists: Henry Darger, William Dawson, Lee Godie, Mr. Imagination, Aldo Piacenza, Pauline Simon, Drossos Skyllas, Dr. Charles Smith, Wesley Willis, and Joseph Yoakum."


Wednesday, 12 September 2012

"Ein fabelhafter Mix aus Irrwitz und Schnitzerei!"


Emmanuel van Stein bespricht die Ausstellung in der Galerie Susanne Zander:

 KARL JUNKER als Ausstellungstipp des Tages: Kölner StadtAnzeiger (12.09.2012), S.12

Monday, 3 September 2012

opening Friday: "Karl Junker, Architekt" 7. September - 3. November 2012 Eröffnung: Freitag, 07.09., 18 – 22 Uhr

& Horst Ademeit, Paul Goesch, Chris Hipkiss, Foma Jaremtschuk, George Widener , Wesley Willis




Karl Junker was born 1850 as the son of a bricklayer in the city of Lemgo in North Rhine-Westphalia, Germany. His grandfather took charge of his education after both his parents had died from tuberculosis. At age fifteen he initiated a carpenter's apprenticeship and, having completed his trade exam, began working in Hamburg and Berlin. In 1871 he felt drawn to the art capital of Munich, where he began his studies at the School of Applied Arts and then, in 1875, enrolled at the renowned Academy of Fine Arts. Before having completed his studies, Junker embarked on an educational journey around Italy in 1977, where he spent several years traveling. Here he became particularly interested in the arts, but also in architecture. This becomes evident from his sketchbooks. In 1880 he returned to Munich, where he remained for another three years. From 1883 until his death in 1912, Karl Junker lived in his home town of Lemgo, where he was commissioned for a number of projects. In 1889 and with the help of a master carpenter, Junker handed in his application at the city of Lemgo for the project of a timber frame house.

For over twenty years Junker worked on the design of his "Junkerhaus" on Hamelner Road, where he created chairs, tables, dressers, beds, a grandfather clock and even a baby cradle. Over 115 wooden sculptures, 840 pencil and watercolors drawings and around 200 paintings have survived.

The gallery will show a selection of Karl Junker's fantastic architecture for the first time: two chairs, monumental and rustic at the same time, and the architectural model of a well, a blueprint for the city of Detmold dated from 1899.

Alongside the works of Junkers we will present a selection of gallery artists, whose works reveal a clear fascination with architecture: Horst Ademeit, Paul Goesch, Chris Hipkiss, Foma Jaremtschuk, George Widener and Wesley Willis.

This exhibition was organized in collaboration with the Museum Junkerhaus, Lemgo. We thank the Museum Director Jürgen Scheffler for his kind support.