Showing posts with label SPEED. Show all posts
Showing posts with label SPEED. Show all posts

Friday, 21 September 2018

Künstlerhaus Stuttgart: SPEED's Review on frieze

Screenshot of the online article 
Find Kirsty Bell's article here

"The chilling biographical incident forms the core of ‘SPEED’, the second collaborative exhibition by filmmakers James Richards and Thornton (...)

This rich and thought-provoking exhibition looks at science from a layman’s perspective, or through an artist’s skewed curiosity, and examines its intersection with everyday politics. A video by Thornton (WhatItIsToBePerfect, 2018) featuring unedited found footage of CERN’s Large Hadron Collider, the world’s largest particle accelerator, is strange and fascinating in its banality..."

For more information click here:

Wednesday, 20 June 2018

Check out the show "SPEED" with works of ADEMEIT and BENDER

Opening Sat 30 Jun 2018, 7pm
We are looking forward to the opening at Künstlerhaus Stuttgart

"There is a collaborative impulse behind James Richards and Leslie Thornton’s SPEED, one that renders the lone paranoid monologue of anxious speculation into a dialogic practice. In the process of realising SPEED, Richards and Thornton have been concerned with a number of psychic and temporal states, rushes of interconnectedness and scientific wonder, as well as a sense of ecological dread and anxiety. The exhibition takes the form of two major new commissions by Richards and Thornton, alongside a show-within-the-show convened by Richards with works by Horst Ademeit, Adelhyd van Bender, Bruce Conner, Emily Feather, Terence McCormack, Jeff Preiss and Jens Thornton.

There is an atmosphere of obsessive energy in SPEED, a recurring fascination with rays, of systematic sorting and recording of experience, and with mind altering effects and rituals. A number of the works in the group exhibition were made against a backdrop of apprehension and self-destruction during the Cold War. There is a sense of frantic repetition, labour and a command to activity, which van Bender described as ‘Divine Drudgery’. It is a spirit also present in Bruce Conner’s psychedelic inkblot drawings. The oscillation between an ordering impulse, and the relinquishing of control is a recurring feature of SPEED, one that appears both in the group exhibition and in the newly realised works..."

For more information click here: