Monday, 15 October 2018

Getting Ready for fiac!

Prophet Royal Robertson, untitled (Almightly Dies Odin), 1980s, Courtesy D&Z
Visit us October 18 – 21 at Grand Palais, 
Salon d'Honneur - booth 1.J21

"The 45th edition of FIAC will be held in Paris from 18 to 21 October 2018 and will host 193 galleries in the nave and exhibition rooms of the Grand Palais.

The 2018 selection – including many of the most influential specialists worldwide in the fields of modern art, contemporary art and design – will present the finest examples of artistic creation since the turn of the twentieth century; modern masters through to the latest trends..."

Saturday, 6 October 2018

JESUYS CHRISTIANO solo show at D&Z

Jesuys Crystiano, untitled, pencil on paper, 3/2012, Courtesy D&Z
Pop in between October 5th - November 10th, 2018

In 2010 Jesuys Crystiano's monumental wall drawings, rendered on walls and in abandoned tear-down buildings in Ilhéus, Brazil, are discovered. They reveal a surreal imagery in an unmistakable, idiosyncratic style, drawn with a fleeting but distinct stroke.

The wall drawings are discovered by Thilo Scheuermann, a German hotel owner living in Brazil, who establishes contact with the artist. At the time, Crystiano is still living on the streets of Ilhéus and is cared for by neighbours. Exactly how he came to be here is unclear, since he can only remember his past in fragments. His biographical data remains uncertain. The year of his birth is chosen arbitrarily and determined by court order as 1950. We can assume that Chrystiano grew up in the municipality of Buerarema in the state of Bahia, Brazil, where he attended school. Presumably, he spent his youth in Rio de Janeiro.

From 2010, Thilo Scheuermann takes the artist into his custody. Henceforth, he promotes Crystiano's artistic work by providing him with drawing material and by photographically documenting the creation of the works. Crystiano lives here until his death in 2015.

During this time an extensive oeuvre encompassing drawings, collages and objects emerge. His signature imagery shows a complex, ornamental network composed of architectural, floral and figurative elements. Peculiar faces with prominent noses and cigarette stubs in their mouths, airplanes, buildings, animals, especially birds, umbrellas, upside-down chairs and tables, and uprooted trees are recurring subjects of his unmistakable drawings.

For the first time in Cologne, Delmes & Zander is showing the work of Jesuys Crystiano in a solo exhibition that will also include his large-format drawings.

Friday, 21 September 2018

Künstlerhaus Stuttgart: SPEED's Review on frieze

Screenshot of the online article 
Find Kirsty Bell's article here

"The chilling biographical incident forms the core of ‘SPEED’, the second collaborative exhibition by filmmakers James Richards and Thornton (...)

This rich and thought-provoking exhibition looks at science from a layman’s perspective, or through an artist’s skewed curiosity, and examines its intersection with everyday politics. A video by Thornton (WhatItIsToBePerfect, 2018) featuring unedited found footage of CERN’s Large Hadron Collider, the world’s largest particle accelerator, is strange and fascinating in its banality..."

For more information click here:

Tuesday, 18 September 2018

Review by Moritz Scheper about the show of Derrick Alexis Coard

Excerpt of "Handsome Nerd", Derrick Alexis Coard, Courtesy by Delmes & Zander
frieze's article about 
"Tender Studies Of Black Masculinity"

"Delmes & Zander in Cologne has long championed those artists defined by stigmatizing catchalls such as ‘art brut’ and ‘outsider art’, doing so with an acute sensitivity to the fact that difference alone should not equate to currency. The drawings of Derrick Alexis Coard, a selection of which are brought together in the solo exhibition, ‘Bearded Black Man’, are..."

For more information:

Friday, 14 September 2018

Wednesday, 5 September 2018

Take a look at frieze's OKEY DOKEY II preview


Moritz Sheper's preview – we are proud to be there!

"The gallery share project Okey-Dokey, which got off to a positive start last year, has been entirely revamped. This year’s curatorial advisor is Artists Space’s Jamie Stevens, who has hooked up young Rhineland galleries with unconventional partners: A group show at..."

Participating galleries: 
Drei
Galerie Max Mayer
Ginerva Gambino
Jan Kaps 
Lucas Hirsch
Delmes & Zander

For more information:

Saturday, 1 September 2018

Okey Dokey II at Delmes & Zander

John Neff, Kim's Corner Food, 2013-2015
KELLY KACZYNSKI, THOMAS KONG, PATRIC MCCOY AND JOHN NEFF

Curated by John Neff,
curated by Jamie Stevens
September 8 – 30, 2018 
Opening: Friday 7.9., 6 – 9 pm

Delmes & Zander hosting
Adler & Floyd (Chicago), The Back Room at Kim’s Corner Food (Chicago) and Diasporal Rhythms (Chicago).

The exhibition Kelly Kaczynski, Thomas Kong, Patric McCoy, and John Neff / Curated by John Neff, curated by Jamie Stevens was initiated in August 2018 by Neff for Delmes & Zanderat the invitation of curator Jamie Stevens and Okey Dokey. The show features works by Neff and three other Chicago-based artists Kelly Kaczynski, who works with sculpture and language; Thomas Kong, a merchant and collage maker whose corner store houses a rotating, immersive installation of his work; and Patric McCoy, a patron of Chicago’s arts of the African diaspora and self-taught photographer. The project will grow and change throughout its duration.

This year’s edition of Okey Dokey has been overseen by curatorial advisor Jamie Stevens, who has initiated partnerships and collaborations between the six Rhineland galleries with a combination of different types of non-proft and for-proft arts organizations from USA, Hong Kong, and Europe.

For more information: